NEWS & REVIEWS
REVIEW : Turandot, New National Theatre Tokyo
Sensitive to matters of Puccinian style, his pacing and attention to orchestral detail were excellent, and he drew highly sympathetic playing from the orchestra.
Never cheating the big moments, Ono nevertheless displayed an affinity for the smaller gestures, coaxing daringly soft, gauzy sounds from his players to create real moments of beauty.
from LIMELIGHT by Justine Nguyen