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KAZUSHI ONO conductor 大野和士 指揮者
NEXT PERFORMANCE

2-4.oct.2020

MESSIAEN: Turangalîla Symphony (1946-48) 76’‎
Barcelona Symphony Orchestra

L'Auditori
Barcelona
Spain
Pierre-Laurent Aimard (piano)
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10-11.oct.2020

BEETHOVEN : Fidelio, Op. 72 (1805 / rev. 1814) 135'‎
Opera in concert version
Barcelona Symphony Orchestra

L'Auditori
Barcelona
Spain
Iréne Theorin (soprano), Nikolai Schukoff (tenor), Falk Struckmann (bass-baritone)
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15,18,21,23.nov.2020

A Dream of Armageddon (OPERA)
Libretto by: Harry ROSS 
(after the short story “A Dream of Armageddon“
by H.G.WELLS)
Composed by: FUJIKURA Dai
Chorus: New National Theatre Chorus
Orchestra: Tokyo Philharmonic Orchestra

New National Theatre
Tokyo
Japan
Seth CARICO, Jessica ASZODI, KANOH Etsuko, MOCHIZUKI Tetsuya
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NEWS & REVIEWS
REVIEW : Houston Symphony’s night of Russian music excels Privacy
5.apr.2019
And sure enough, frst-time guest conductor Kazushi Ono and the Houston Symphony delivered a first-rate concert steeped in stormy emotions, fragile beauty, and widescreen grandeur on Thursday night.

This concerto has a lot of moving parts, but maybe the most remarkable was an extended passage during the second movement where the volume barely rose above a whisper.

As Trpčeski and the orchestra slowly teased a four-note theme into a complex dialogue of rising intensity, one of those moments when the air seems to be sucked out of the room.

A few minutes later, as Ono led a grand march behind him, the soloist at last dug into one of those signature Rachmaninoff melodies where one chord crashes into the next.

- from Houston Chronicle by Chris Gray

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