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KAZUSHI ONO conductor 大野和士 指揮者
NEXT PERFORMANCE

3.apr.2020

<<CANCELLED>>
SCHUMANN: Piano Concerto in A minor, op.54
MENDELSSOHN: Symphony No.2 in B-flat major, op.52, "Lobgesang"
Tokyo Metropolitan Symphony Orchestra
Nikikai Chorus Group

Suntory Hall
Tokyo
Japan
Mao FUJITA (piano), Ryoko SUNAKAWA (soprano), Hiroka YAMASHITA (mezzo-soprano), Naoki MIYASATO (tenor)
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23,24,25.apr.2020

GUINOVART: commissioned work ET TOCA A TU (IT’S YOUR TURN)‎
WEBER: Concerto for clarinet and orchestra No. 1 in F minor, Op. 73‎
BRAHMS: Symphony No. 4 in E minor, Op. 98‎
Barcelona Symphony and National Orchestra of Catalonia (OBC)

L'Auditori
Barcelona
Spain
Andreas Ottensamer (clarinet)
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29.apr.2020

KHATCHATURIAN : Gayaneh, extrait : Adagio, pour violon solo
François MEÏMOUN : Concerto pour violoncelle
Ernest BLOCH : Schelomo
PROKOFIEV : Symphonie n°6
Orchestre Philharmonique de Radio France

Maison de Radio France
Paris
France
Marc Coppey (cello), David Haroutunian (violin)
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NEWS & REVIEWS
REVIEW : Houston Symphony’s night of Russian music excels Privacy
5.apr.2019
And sure enough, frst-time guest conductor Kazushi Ono and the Houston Symphony delivered a first-rate concert steeped in stormy emotions, fragile beauty, and widescreen grandeur on Thursday night.

This concerto has a lot of moving parts, but maybe the most remarkable was an extended passage during the second movement where the volume barely rose above a whisper.

As Trpčeski and the orchestra slowly teased a four-note theme into a complex dialogue of rising intensity, one of those moments when the air seems to be sucked out of the room.

A few minutes later, as Ono led a grand march behind him, the soloist at last dug into one of those signature Rachmaninoff melodies where one chord crashes into the next.

- from Houston Chronicle by Chris Gray

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