Somehow, in all this, Kazushi Ono found a steady hand to keep the orchestra under control and deliver a continuous flow of excitement, bringing the orchestra to gigantic climaxes at the end of each half.This production has to be seen.

'Bachtrack' by David Carlin


Kazushi Ono draws playing of dark energy from the Orchestra de Paris. He opts for massive textures rather than sharp clarity and the Rolle-coaster thrill of the work holds throughout.

'Financial Times’ by Shirley Apthorp