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KAZUSHI ONO conductor 大野和士 指揮者
NEXT PERFORMANCE

3.apr.2020

<<CANCELLED>>
SCHUMANN: Piano Concerto in A minor, op.54
MENDELSSOHN: Symphony No.2 in B-flat major, op.52, "Lobgesang"
Tokyo Metropolitan Symphony Orchestra
Nikikai Chorus Group

Suntory Hall
Tokyo
Japan
Mao FUJITA (piano), Ryoko SUNAKAWA (soprano), Hiroka YAMASHITA (mezzo-soprano), Naoki MIYASATO (tenor)
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23,24,25.apr.2020

GUINOVART: commissioned work ET TOCA A TU (IT’S YOUR TURN)‎
WEBER: Concerto for clarinet and orchestra No. 1 in F minor, Op. 73‎
BRAHMS: Symphony No. 4 in E minor, Op. 98‎
Barcelona Symphony and National Orchestra of Catalonia (OBC)

L'Auditori
Barcelona
Spain
Andreas Ottensamer (clarinet)
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29.apr.2020

KHATCHATURIAN : Gayaneh, extrait : Adagio, pour violon solo
François MEÏMOUN : Concerto pour violoncelle
Ernest BLOCH : Schelomo
PROKOFIEV : Symphonie n°6
Orchestre Philharmonique de Radio France

Maison de Radio France
Paris
France
Marc Coppey (cello), David Haroutunian (violin)
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NEWS & REVIEWS
Review: CBSO/Benedetti Plays Szymanowski at Symphony Hall
07 Dec. 2012
- Dvorak's symphonic poem The Wood Dove launched the main programme. What a disturbing work this is, gruesome in its narrative and muffled in its scoring, and drawing an unusually dark sound from the CBSO strings. Conductor Kazushi Ono's taut beat drew all the colour elements together, well-integrated and well-paced.

- Talk about "nocturnal" and you talk about Bartok, and sounds of nature at night lie at the heart of his Concerto for Orchestra. Ono's was a sleek, streamlined reading, so we admired the orchestra's virtuosity, not least the wonderfully rich fourth-movement violas amidst many other fine contributions.

Birmingham Post, by Christopher Morley

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